You Gotta Read Reviews
Here is a saucy, roguish, sex- and semen-filled romp through post-revolutionary France. Two men slowly but inexorably seek each other and come together in a final gasp of deep desire and heartfelt love. Passion doesn’t get much better than that! Talbot Sauvageot is, to any who know him socially, a rake. He is a lover of bawd-halls and ladies’ boudoirs who hides the fact that he is attracted to men . . . especially one man, his childhood friend. His lifelong friend Maxime LaRue is likewise a rake, one who sardonically holds festive overnight orgies for friends of like mind. All the while these two old friends are pretending to delight in the flesh of females, each secretly longs for the other but cannot bring himself to betray the deeply held truth. The story of Talbot and Maxime is full of twists and turns. Talbot, exposed as a sodomite, must seek a hideaway. But when he is invited to one of Maxime’s patented soirées, he throws away caution and seeks out the only man who fully impassions him. Maxime finds himself being drawn physically into Talbot’s embraces and ready mouth, and the two find some relief by means of a secret passageway. All two soon the lovers find that Maxime’s father Marcel has a bride for him, and he is to be married immediately. Marcel, almost at death’s door, learns of Talbot’s sexual proclivities and declares that he must face his son in a duel. The action gets a bit melodramatic as the old father, coughing blood into his handkerchief, nevertheless proclaims that his beloved son must face this degenerate over dueling pistols. The writing itself starts out with great promise, as the author plays with words as though they are sensuous playthings: “The hall . . . curved and warbled in his drunken eyesight.” In the brothel, “squeals of pleasure leaked out of the sliver at the bottom of each door.” When the young Talbot was being pleasured by a partner, he remembered how “Shame and ecstasy . . twirled in a sinful ballet at gazing on another man feasting on his manhood.” Sadly, the metaphoric language dwindles to a stop. Still, the novel is a beguiling look at homoerotic love in an era when such “depraved” sentiments are met by the cold blade of the guillotine. The love scenes between Talbot and Maxime, especially at the end of the novel, are full-bodied and fresh; and the ending is as satisfying as their exhilarating pleasure together.